Author: Eric de Jesus

Complaints

Complaints

The picture of The Complaints greatly depends on your lens. The wide angle view was just another high school band who sped up a few rock and roll standards, sang with a vague British accent and called it punk rock. To understand this band though, you need a zoom.

There is no way to answer who, without understanding where. The town of Catasauqua (Catty) in the 80’s was peculiar. The working class birthplace of the American Iron Industry, it was DIY for a couple of centuries. The youth culture in Catty at this time was set ablaze by punk rock. You would have been hard pressed to find a place that embraced the genre with the viscera and vigor as The Iron Borough. The humor, the energy, the sneer fit Catty hand in glove. Even the “nice girls” loved it. The Complaints were that culture’s juke box.

The first thing to know about this band was they were as talented as they were young (14-17). The musical backbone of the band was Glenn (Stoag) Longenhagen. The oldest member of the band, he was somewhat of a savant. He seemed to be able to play any song on any instrument. His younger brother Greg (Story) was charismatic, funny and most importantly, he knew cool, a consummate frontman. The rhythm section was every bit the equal to the front line. Bass player Louis Stubits was not only very proficient, but had a vision for what the band should be. Finally, the youngest member, drummer Steve Roth was a powerhouse. Together, this band was the living mixtape for this odd town during these iconic days. They played it all. First wave standards by Undertones, Buzzcocks, Clash, Gang of Four to covering the likes of Smokey Robinson, The Who and The Yardbirds. They were a good live band but this is where you need to adjust your focus. It was the originals. A small batch of songs that make you look back again. They were tight, smart and had their own sound. Really good songs.

That’s The Complaints, in a snapshot. In time, life moved the lads on to other things. Careers in theatre and science and business called them forward. Such is life’s arc, but this batch of songs are testament to a quirky time in a little place and a bunch of kids who filled it brilliantly.

-Al Zuzic ex Complaints roadie

Complaints

I was friends with Story Longenhagen and Lou Fabulous but i only ever saw the COMPLAINTS once. They played with The Clap (thee original Lehigh Valley punk band) and SENSELESS HATE (featuring Joe Hanna from
Play It Again Records. As well as a wonderful, weird & young Brother JT, who during their set, fell over and landed on his back and continued flailing at his guitar cuz he couldnt get up, earning him the nickname ‘The Insect’ from my Catty punk friends for years ) at the Runway, which in 6 or 7 years would be called Airport Music Hall, the site of many gigantic harvore and metal horrorshows /riots.

I had heard from a few with-it kids that the Complaints were good and super punk and did perfect British punk covers, which was fitting as they hailed from Little England Catty.

Before we’d met i’d heard that Lou was a sneering Sid Vicious protege on bass. They floored me with their version of “clash city rockers”.

But in true small town teen punk sunurban style, my buddy Jon got his nose busted in the parking lot by a jealous Catty kid over Bobby Almazan’s little sister. Then Joe Hanna’s dog licked up all the blood. ah, youth! what great times!…..

-Eric de Jesus Easy Subcult / Raw Pogo Scaffold

01 Complaints
02 Computer Chips
03 Vertigo
04 From Russia With Love
05 Misconceived Stories
06 Breakout
07 Catholic Killers
08 Come Home
09 Sunday Bloody Sunday
10 Gloria
11 Radio Clash
12 12 OClock High

MediaFire Zip of all files

World Made Flesh

flyer

WORD MADE FLESH was the Squirrelbait of the Lehigh Valley. And by that i mean that to me at least, they were total emocore (mostly because of Larry’s lyrics, but also because of their thick meaty and dense guitars).(you know i’m right.) They were the band that morphed out of YOUTH QUAKE in 1987. To me, they were the absolute peak band of the whole Catasauqua influenced LVHC scene. And in true Catty fashion, they were influenced by The RUTS.
Legendary teen punk hero- figure Larry Deiter on vocals and words, Tracey Pain on guitar, Roy Mayorga on drums and his brother Dan on second guitar.
Originally they didn’t have a bass player. On these songs its Tracey playing a tuned down guitar, which always floored me.
Later on, Bobby Almazan RIP from serious heavy OG Catty bands THE LIARS & ENDANGERED SPECIES joined as bassist.
They only lasted from the summer of 1987 to the fall of 1988 unfortunately, but at least you can hear their demo. It was recorded 2 tracks to a hifi VCR in Roy’s bedroom. But you can hear everything, especially Larry’s vox. In a more perfect world wherein the LV gets its cultural due, this demo would have come out on vinyl in 1987 or 88 on Homestead Records or something. It was perfect for that time period, just as Dinosaur, Squirrelbait & Ignition were.
(all the above bands would’ve made the perfect bill for a show at West Catty in ‘88 if the punks were still able to have shows there.)

Here’s what Roy Mayorga had to say when bugged about all this stuff:
“Looking back on it I always felt it was like another version of The RUTS. Which was my favorite band at that time. I wish we could’ve continued as a band and maybe we would’ve put out a record eventually. But the demo definitely captures the time perfectly. We recorded this demo before even playing a show. I remember we came up with all of these songs within that week at rehearsal and then we went to my bedroom and recorded it.”

“I think Word Made Flesh transitioned from Youth Quake in the summer of 87. This started when Tracey suggested doing a cover of “you’re just a” by THE RUTS. Why youthquake stopped? I’m not sure. If I remember correctly our bass player at the time Roy Grube (ex Youthful Aggression & Last Cry) might have quit so that was probably why we wanted to start something new. So after jamming that RUTS song it sparked another idea for a song & then we found that we had something new and different for us. Then we had the idea of getting a second guitar player to fill out the sound, that’s when my brother Dan came into the picture. We played a couple of shows (Dead Milkmen and The Exploited) (the infamous Exploited show in the LV where Wattie got maced by the crowd. and just kept singing like nothing happened) as a four piece until we found a bass player. That being Bob Almazan. He was the final piece of the puzzle. But unfortunately the band lasted only until the fall of 88.
Larry had the simplest lyrics and the point was really made damn clear what was going on in his life at that time and you can hear it in his performance.”

Roy and Dan moved to NYC so Roy could join NAUSEA, and Dan restarted WMF with Jae from A.P.P.L.E. but that didn’t really last and without Larry it couldn’t really be the same….

-Eric de Jesus EASY / Raw Pogo On The Scaffold

01 – I Was Not Myself
02 – Laugh on the Outside
03 – Don’t Put Me Down
04 – You’re Your Only Enemy
05 – Life Worth Living
06 – Questioning Heaven (boombox)
07 – Some Kind of Escape (boombox)
08 – Your Only Enemy (boombox)
09 – Don’t Put Me Down (boombox)

MediaFire Zip of all files

Word Made Flesh in a warehouse 1987

Full document of the Lehigh Valley’s WORD MADE FLESH in 1987 rehearsing in the warehouse they shared with Bethlehem’s ORIGINAL SINS, in downtown Allentown, PA.
From easysubculture YouTube page

photos by Marcie McHugh, taken in their practice space, which they split with the very early Original Sins.

YouthQuake

Photo credit: Jen Buck Knies

YQ was a band from 1985 to 1986 from Catasauqua in the Lehigh Valley.

Larry Deiter, charismatic teenage hero who ran away from home and lived in the little league dugouts for awhile, was the singer. he’d sung in a band called Zero Factor previously.

Tracy Pain played guitar, Bobby Fegley played bass (RIP. he died in a car crash in the 90s) and Roy Mayorga played drums. Somewhere late in their ‘career’ they got Roy Grube from LAST CRY to play bass. (I never saw this lineup…) Mike Gentilcore, local king of LV BMX, played second guitar in an early lineup.

They were from Catasauqua, which kids on the scene used to call Little England. Catasauqua (or Catty) was one of the punkest small towns in America. there were some truly amazingly stacked shows from 84 to 86 there. it was like the Huntington Beach of Pennsylvania; as if Catty High was the PA version of Edison High in HB. And most of those kids were a bit crazed and tough. it was totally Class Of ‘84.

Every other high school in the LV had maybe 5 or 6 punkers each. but at Catty High it seemed to me like every single student was a punker, or at least wouldn’t give you shit for being a punker. i mean i would go to the Catty High dances with Larry Deiter and Story from The Complaints and hang high up in the bleachers with the punkers. I never even thought of going to a dance at my own high school in Bethlehem! I mean fuck, that thought gives me shivers.

By the early 80s for some reason Catty had such a deep punk tradition and i don’t really know why…. To this day i still wonder about Why That Was. Someone brainiac should figure it out and do an ethnography.

There were even dances at some church in Catty that I and other LV punkers would attend. First time I went my mind was fucking completely blown: little elementary & middle school kids (no lie) pogoing around with spiked hair, sid vicious chain necklaces with locks, and engineer boots. Tracy Pain’s gnarly older brother was DJing (999, pork dukes, sex pistols, uk subs, all Catty faves). The chaperones were all singing along to Friggin In The Riggin and dancing around.

I couldn’t believe it.

Me & a couple kids started skanking around 1982 style and bam! Tracy’s older brother put me on the floor with a sucker punch. He didn’t like this new kinda punk dancing.

YQ practicing in some basement

Prior to Youthquake the Catty bands were pretty tough & raw and late 70s-ish. The LIARS, The CLAP, The COMPLAINTS (whom i totally loved), etc. They all kind of sang with english accents.

But with YQ came a more hardcore approach, as if intentionally they were reacting against the older punkers ( the Complaints had a song called Johnny Please Come Home, which i always hoped & imagined was about Johnny Loftus from The Clap)  YQ wrote a darker themed song called Johnny’s Not Coming Home)

They broke up in 1986 I think?

But with roy’s brother on bass, or down-tuned guitar, they morphed into WORD MADE FLESH who were, to me, thee greatest LV band ever (not just up to that point). But for whatever reason they didn’t last too long either.

Larry went on to sing in Fathead, and continues to ‘live rough’ to this very day i hear. Roy went on to play with Nausea, Soulfly, Stone Sour, Amebix and probably others.

When i think of all these old friends and the things they did I cant help but feel good, and sad; about having once been a 16 year old punker, and about how much time has gone by.
– Eric de Jesus (raw pogo on the scaffold zine/ easy subcult)
photos by Jen Buck Knies & Jen Chapelle

There first demo – It’s Up To Us is up on the FOE site
Thanks for the tape files Brett Noise Addiction II

demo cover

Stress Test Demo 1986

01 – We Dont Need
02 – Johnnys Not Coming Home Today
03 – The Tables Turned
04 – American Escalation
05 – Stress Test
06 – Ill Take My Chances
07 – Right to Die
08 – It Wasnt Your Choice
09 – Prepare Them for War
10 – It Cant Happen
11 – Youre the Robot

MediaFire Zip of all files

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