Tag: Wunderband

Action Plus!

“Action Plus!” was a Philadelphia band active from 1998-1999. They were often aligned musically with Pavement in the press and described as an “angular indie pop band”. They were featured in the Philadelphia Weekly’s fashion makeover issue, and in this issue the band was compared to the male cast of “Dawson’s Creek” by a jealous music journalist who’s vindictive snarkiness in print was not uncommon in the local alternative music press of the time.

Their members, over the duration of the band’s existence, included Jeff Tanner (lead guitar) and Simon Nagle (drums) of the Photon Band, Mike Shellito (bass, drums) of Shellito, Chris Kubicek (bass)of Baby Flamehead and Gimme, and Robert Fanelli (vocals, rhythm guitar, songwriting) of Wunderband and The Beach Balls.

The band released one EP entitled “Cinco de Five-O” and played about a dozen live shows at venues such as The Khyber and The North Star Bar, usually opening for bigger local acts such as KeN and Latimer.


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WĂĽnderband

Self titled cd by Mid to late 90’s Power Pop band WĂĽnderband with Derek Ayers – Drums & Vocals, Robert Fanelli – Bass & Vocals, and Kyle Kelso -Guitar &…

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WĂĽnderband

Self titled cd by Mid to late 90’s Power Pop band WĂĽnderband with Derek Ayers – Drums & Vocals, Robert Fanelli – Bass & Vocals, and Kyle Kelso -Guitar & Vocals.
Currently Robert and Derek are in Split Aura.

Review by Pemberton Roach
The “official” follow-up to several self-released EPs and seven-inch singles, WĂĽnderband’s debut full-length CD release is a ’90s power-pop tour de force, full of beautifully chiming guitars, solid drum beats and melodic, McCartney-esque basslines. The band’s songs are top-notch, and Wunderband’s two writers have wonderfully complementary styles. Kyle Kelso favors the more straight-ahead rock/Cheap Trick-style tunes, while Robert Fanelli explores a more harmonically experimental, XTC-influenced style. Lyrically, Kelso nails the teenage angst thing in a perfect, ’50s kind of way (mentions of “broken glasses” and “locker shrines” take the place of the usual paeans to suicide and drugs) with songs like “Lunchroom Blues” and “Pinup.” Fanelli’s points are often somewhat more obscure but no less effective, often striking a perfect balance between the heartbreaking with the absurd. Beautifully recorded, Wunderband has the well-produced sheen of a major-label album, and the effect works well with the band’s expertly crafted material.
Also check out the Dig Me Out: 90s & 00s Rock podcast about the album called: WĂĽnderband by WĂĽnderband | 90s Album Review

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